Paris is known for its atmospheric sidewalk cafés.  Locals and tourists lounge at the small tables, sample delicious French fare and watch the world pass by.  In 2008, my husband and I stayed in a wonderful hotel near the Place des Vosges.  This lively square, formerly called Place Royale and one of the oldest in the city, is home to art galleries, shops and restaurants, as well as the Maison de Victor Hugo museum.  While we were strolling through the park on a sunny afternoon, I snapped this picture of a busy café.

From her strategic spot in the northeast corner of the Place des Vosges, Camille has a fine view of the outdoor café.  Through the arch of the stone arcade, she glimpses a trio of round tables, two of them empty and the third occupied by a pair of chic girls.  Camille admires their floral sundresses and the silk scarves wrapped insouciantly around their necks.

One of the girls  waves her slim hands about and leans forward, her heart-shaped, freckled face luminous with delight.  Listening with a smile on her face, the other girl tucks her bobbed auburn hair behind her ears, and bursts into peals of laughter. Camille wonders if they are sisters or simply best friends.

Opening the sketch book on her lap, Camille takes a Faber pencil from the small backpack on the bench beside her.  She pauses to think about what Claude, her art instructor said this morning in class.  He wants her to sketch a quintessential scene that captures the Parisian spirit.  What could be more Parisian than a sunny afternoon relaxing at a sidewalk café?

A waiter materializes to lay plates of neatly folded crêpes before the girls.  Camille studies his classic profile and slightly shaggy dark hair.  He wears black and white just as she imagines a proper Parisian waiter would.  Setting pencil to paper, Camille begins to sketch.  With fluid, easy strokes she captures the flirtatious glances of the girls and the faint dimple in the waiter’s clean-shaven cheek.   She frames her models with the outline of the arcade and adds some details.  At last, she looks up and then back down at her drawing.  With a satisfied nod, she carefully closes her sketch book.

Leaning back against the weathered wooden slats of the park bench Camille glances around her.  A black and a grey poodle chase each other around a graceful fountain.  One of the little dogs leaps up and trots along the rim of the basin as sparkling drops of water rain down.  The poodle stops to shake its damp curly coat and tumbles into the pool with a surprised yelp.   Camille laughs and wonders if she should submit a sketch of the poodles to her instructor instead.

A cellist sits on a stool beneath the shade of the chestnut trees.  As if providing a soundtrack for the cavorting poodles, he plays “Carnival of the Animals.”  Humming along to the music as the dog scrambles out of the fountain, Camille files away the ironic moment.  She will tell her sister, who loves Saint Saens, all about it later tonight when she calls home.

Across the park, the dormer windows of Victor Hugo’s brick home gleam beneath the bright blue sky.  Camille imagines the author emerging through the front door of No. 6 to clear his head with a brisk walk around the park after an intense session with Fantine and the unfortunate poor of nineteenth century Paris.  Perhaps he would be in search of a sustaining meal.

Camille turns her attention once again to the café.  The girls sit back in their chairs sipping wine.  The waiter takes an order from an elderly couple, who hold hands across the table.  Camille stands and walks briskly toward the restaurant.  Enjoying a  sustaining meal herself will be the ideal way to cap off her quintessential afternoon.